Maddeningly, for all the Disclosure that has unfolded critical questions seems unanswered. Who they are and what they want seem often invite speculation, but rarely find definite reasoned conclusion. Arguably, critical truths are much closer at hand than may seem at first glance. Grusch and Sheehan, for example, have both positively referenced the work of the Summers (Marshall and Reed, father and son), and in their work we find extensive accounts of the identity and motivation of those opera...